Latinos and Latinas in US Popular Music / Latinos y latinas en la musica popular estadounidense
- PUBLISHED: December 2017
- SUBJECT LISTING: Latinx Studies, Performing Arts
- BIBLIOGRAPHIC INFORMATION: 352 Pages, 8 x 9 in, 110 color illus., 6 maps
- ISBN: 9780295742625
Evoking the pleasures of music as well as food, the word sabor signifies a rich essence that makes our mouths water or makes our bodies want to move. American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San Francisco, and Miami. From Tito Puente’s mambo dance rhythms to the Spanglish rap of Mellow Man Ace, American Sabor focuses on musical styles that have developed largely in the United States—including jazz, rhythm and blues, rock, punk, hip hop, country, Tejano, and salsa—but also shows the many ways in which Latin@ musicians and styles connect US culture to the culture of the broader Americas.
With side-by-side Spanish and English text, authors Marisol Berríos-Miranda, Shannon Dudley, and Michelle Habell-Pallán challenge the white and black racial framework that structures most narratives of popular music in the United States. They present the regional histories of Latin@ communities—including Chicanos, Tejanos, and Puerto Ricans—in distinctive detail, and highlight the shared experiences of immigration/migration, racial boundary crossing, contesting gender roles, youth innovation, and articulating an American experience through music. In celebrating the musical contributions of Latinos and Latinas, American Sabor illuminates a cultural legacy that enriches us all.
Authors & Contributors
Marisol Berríos-Miranda is affiliate professor of ethnomusicology and lecturer in the Honors Program at the University of Washington. She is the author of numerous articles on salsa and Puerto Rican musical culture. Shannon Dudley is associate professor of ethnomusicology at the University of Washington. He is the author of Carnival Music of Trinidad and Music from Behind the Bridge: Steelband Spirit and Politics in Trinidad and Tobago. Michelle Habell-Pallán is associate professor in the Department of Gender, Women, and Sexuality Studies at the University of Washington. She is the author of Loca Motion: The Travels of Chicana and Latina Popular Culture. Together they curated the exhibition, American Sabor, which was created by Experience Music Project (now the Museum of Pop Culture) and organized for travel by the Smithsonian Institution Traveling Exhibition Service (SITES).
American Sabor is a delightful read that relies on pop culture as a savvy entry point into intricate place-based community histories. Structured in short and cogent sections, and enriched by images and digital audio resources, this book is particularly impressive given its nuance and complexity delivered with such captivating simplicity.- Raquel Z. Rivera, author of New York Ricans from the Hip Hop Zone
American Sabor is the story of emergence and convergence. Brown with Black communities of practice facilitating power and cooperation through musical movements.- Quetzal Flores, founder of the Grammy-award-winning group, Quetzal
De una manera clara y contundente, American Sabor nos plantea cómo la musica es un vehículo de integración, destacando el gran talento de nuestra gente. Este libro será un clásico.- Pablo Luis Rivera, Universidad de Puerto Rico
American Sabor highlights the powerful presence of Latino/as in US popular music in imaginative and innovative ways and provides a model cultural studies approach to popular music, exploring the links between cultural texts and their social and historical contexts.- George Lipsitz, author of Footsteps in the Dark: The Hidden Histories of Popular Music