- PUBLISHED: July 2017
- SUBJECT LISTING: Literature / Creative Nonfiction, Nature and Environment
- BIBLIOGRAPHIC INFORMATION: 192 Pages, 5 x 8 in x 0in
- ISBN: 9780295742748
For most of the past century, Humbug Valley, a forest-hemmed meadow sacred to the Mountain Maidu tribe, was in the grip of a utility company. Washington’s White Salmon River was saddled with a fish-obstructing, inefficient dam, and the Timbisha Shoshone Homeland was unacknowledged within the boundaries of Death Valley National Park.
Until people decided to reclaim them.
In Reclaimers, Ana Maria Spagna drives an aging Buick up and down the long strip of West Coast mountain ranges—the Panamints, the Sierras, the Cascades—and alongside rivers to meet the people, many of them wise women, who persevered for decades with little hope of success to make changes happen. In uncovering their heroic stories, Spagna seeks a way for herself, and for all of us, to take back and to make right in a time of unsettling ecological change.
Authors & Contributors
Ana Maria Spagna is the author of several books, most recently Potluck: Community on the Edge of Wilderness. She lives in Stehekin, Washington.
Prologue: The Low Ground
Part One | A Red-Lettered Sign
5. Talk Talk
Part Two | Face-to-Face
6. The Red Fox and the Tule Elk
8. Without an Invite
9. The Circle of Life
10. What Now?
Part Three | When the Walls Come Tumbling Down
12. She Who Watches
14. Restored . . . Salvaged
15. Hope without Hope
16. No Difference at All
Coda: The High Ground
Spagna’s enthusiasm for their dedication and causes is irresistible. Such struggles are the real deal, after all, and what reader wouldn’t cheer on these tenacious underdogs trying to remedy past damage? We’re blessed with opportunities to make a difference, the writing shows…The lessons of her journeys, those readers can glean from these pages, are ‘Do what you can. Hope without hope. Expect the unexpected.- Irene Wanner, Seattle Times
The most influential book I’ve read recently. . . . It’s not a typical story of adventure, but I found it absolutely motivating to get out and learn about our wild places, cherish them, and listen to the stories of people who call them home. It also makes very clear that adventure is not just found high up on a rock face or in a deep snowy couloir – the world is full of places to take risks and dive deep into, to be curious and ambitious and wild and bold.- Jenny Abegg, Outdoor Research Verticulture blog
The premise of this book, that the urge for reclamation is a deep human need which is played out in our relationships to place, offers the potential for healing the apparent breach between people and the living landscape. This big idea is told in a humble way, through the stories of ordinary people who are doing extraordinary work, with an especially important focus on the work of indigenous peoples to reclaim ancestral lands and relationships. Spagna makes these usually invisible struggles clearly visible.- Robin Wall Kimmerer, author of Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants
When Ana Maria Spagna talks wilderness, people listen. In Reclaimers, she leads us up the slippery slope of government regulation, indigenous rights, salmon return, and forest management in search of moral high ground. If you live in the west, you will want to read this book. Bring a spare fan belt.- Kathleen Alcalá , author of The Desert Remembers My Name
You have abandoned something precious in your life so you need to read Ana Maria Spagna’s Reclaimers by way of forgiveness and forward motion. As this book’s Timbisha Shoshone elder says, ‘We don’t break away from what is part of us.’ Like revising a poem, or restoring a friendship—but more complex by orders of magnitude—Reclaimers describes the sustained determination of individuals and communities to do right by sacred land, holy places, and processes that myriad acts of desecration have hurt but failed to destroy. In a world where many places have been paved, trashed, squandered to lesser uses, there may still be passionate devotion, scrappy persistence, clarity about value, and whatever work it takes to save a place—or, in the case of this fine book, tell the story of that transforming miracle. These stories restore our faith in sacred land, and in ourselves. Dawn may yet illuminate what has been reclaimed.- Kim Stafford, author of 100 Tricks Every Boy Can Do: How My Brother Disappeared
A compelling and important book. In a recent talk, Barry Lopez said that the difference between ‘authentic stories’ and ‘inauthentic stories’ is that authentic stories are about ‘us’ but inauthentic stories are only about the person telling the story. For me, this is an authentic story, an important one to tell, and more hopeful than what I am used to.- Robin Hemley, author of Nola: A Memoir of Faith, Art, and Madness