Lovesickness in the Russian Literary Imagination
- PUBLISHED: November 2009
- SUBJECT LISTING: Literary Studies
- BIBLIOGRAPHIC INFORMATION: 320 Pages, 6 x 9 in, 1 illus.
- ISBN: 9780295988962
The destructive power of obsessive love was a defining subject of eighteenth- and nineteenth-century Russian literature. In Febris Erotica, Sobol argues that Russian writers were deeply preoccupied with the nature of romantic relationships and were persistent in their use of lovesickness not simply as a traditional theme but as a way to address pressing philosophical, ethical, and ideological concerns through a recognizable literary trope. Sobol examines stereotypes about the damaging effects of romantic love and offers a short history of the topos of lovesickness in Western literature and medicine.
Read an interview with the author: http://www.rorotoko.com/index.php/article/valeria_sobol_interview_febris_erotica_lovesickness_russian_literary_imagin/
Authors & Contributors
Valeria Sobol is associate professor of Slavic languages and literatures at the University of Illinois.
Note on Translation, Transliteration, and Abbreviations
Introduction: Cases in History
PART I / ANATOMY
1. The Anatomy of Feeling and the Mind-Body Problem in Russian Sentimentalism
PART II / DIAGNOSTICS
2. Diagnosing Love: Tradition
3. "Febris Erotica" in Herzen's Who Is to Blame?
4. An Ordinary Story: Goncharov's Romantic Patients
PART III / THERAPY
5. The "Question of the Soul" in the Age of Positivism
6. What Is to Be Done about a Lovesick Woman? Chernyshevsky's Treatment
7. From Lovesickness to Shamesickness: Tolstoy's Solution
One of the great contributions Sobol makes is her attention to the mutual influence of the languages of science and literature.- Lonny Harrison, Canadian Slavonic Papers
One of the book's key strengths, its full-blooded engagement with the scientific contexts that inform the (mostly) novels at hand, shows Sobol to be of the best sort of humanities scholar, not fighting shy of the 'extraneous' intellectual matter that underpins creative praxis.- B.D. Morgan, Slavonic and East European Review
In this excellent study, Valeria Sobol explains its [lovesickness] central importance first in the west (starting with ancient Greek culture), and then in different Russian literary movements from its entrance into Russia in the Petrine period….The book alternates between close textual analysis and literary history so as to situate each text and author within a mostly vanished past.- Slavic Review
In this book, Valeria Sobol takes a well known fact—that 'lovesickness' plays a significant role in the Russian literary imagination— and makes it the nexus of a fertile study with stunning depth and breadth. . . . The book is so rich and full of information, and written in such clear and masterful prose. . . come away with understanding Russian literary culture in new and profound ways.- The Russian Review
Throughout the book is well grounded in both Greek and early modern philosophy and in relevant psychological and medical theories of the 19th century.- Choice
Febris Erotica is a fine, well—researched, and lucidly written examination of representations of lovesickness in eighteenth— and nineteenth century Russian literature, with a brief excursion into the seventeenth century.- Ilya Vinitsky, University of Pennsylvania
Deftly weaving together literary, intellectual, cultural, and medical history, Sobol makes a convincing case that the 'lovesickness' topos is an important and exceptionally productive prism for exploring a whole constellation of thorny issues and debates that were played out in fascinating detail in Russian literature and culture from the late eighteenth century through the nineteenth century.- Thomas Newlin, Oberlin College