Acknowledgments
Preface / Suna, Inan and Ipek Kirac
Introduction: Disruptive Geographies / Mary Roberts, Reina Lewis and Zeynep Inankur
Part I: Institutions, Collections, Exhibitions
I. Staging The Lure of the East: Exhibition Making and Orientalism / Christine Riding
II. Cultural Exchange and the Politics of Pleasure / Reina Lewis
III. Bringing It Home? Orientalist Painting and the Art Market / Nicholas Tromans
IV. The Searight Collection / Sarah Searight
V. Cultural Consignment and Cultural (Ex)Change / Donald Preziosi
VI. Orientalism and Photography / Nancy Micklewright
Part II: Constructing History and the Politics of Place
VII. Between the Sublime and the Picturesque: Mourning Modernization and the Production of Orientalist Landscape in Thomas Allom and Reverend Robert Walsh's Constantinople and the Scenery of the Seven Churches of Asia Minor (c. 1839) / Wendy M. K. Shaw
VIII. Genealogies of Display: Cross-Cultural Networks at the 1880s Istanbul Exhibitions / Mary Roberts
IX. Osman Hamdi Bey and the Historiophile Mood: Orientalist Vision and the Romantic Sense of the Past in Late Ottoman Culture / Ahmet Ersoy
X. Traveling East: Veiling, Race, and Nations / Teresa Heffernan
XI. "Solitary Eagle"?: The Public and Private Personas of John Frederick Lewis (1804-1876) / Briony Llewellyn
XII. An Ottoman Traveler to the Orient: Osman Hamdi Bey / Edhem Eldem
Part III. Cultural Mediators, Boundaries, Exchanges
XIII. Mary Adelaide Walker / Zeynep Inankur
XIV. The Dragoman Who Commissioned His Own Portrait / Aykut Gurcaglar
XV. European Artists at the Ottoman Court: Propogating a New Dynastic Image in the Nineteenth Century / Gunsel Renda
XVI. The Interpretation of Pictorial Space in Nineteenth-Century Ottoman Landscape Painting / Semra Germaner
XVII. Orientalism and Aestheticism / Tim Barringer
XVIII. The Reception of John Frederick Lewis at the Exposition Universelle in 1855 / Peter Benson Miller
Notes on Contributors
Index