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The Ghost in the City

Luo Ping and the Craft of Painting in Eighteenth-Century China

By Michele Matteini

In 1771 the artist Luo Ping (1733–99) left his native Yangzhou to relocate to the burgeoning hub of Beijing’s Southern City. Over two decades, he became the favored artist of a cosmopolitan community of scholars...

The Brush of Insight

Artists and Agency at the Mughal Court

By Yael Rice

Over the course of the sixteenth and early seventeenth centuries, Mughal court painters evolved from illustrators of manuscripts and albums to active mediators of imperial visionary experience, cultivating their patrons’ earthly and spiritual authority. Featuring...

Old Stacks, New Leaves

The Arts of the Book in South Asia

By Sonal Khullar

In the twenty-first century, debates on the future of books and print culture have intensified with the rise of digital technologies, and the contemporary art world has witnessed an explosion of interest in the book...

Porcelain for the Emperor

Manufacture and Technocracy in Qing China

By Kai Jun Chen

The exquisite ceramic ware produced at the Imperial Porcelain Manufactory at Jingdezhen in southern China functioned as a kind of visual propaganda for the Qing dynasty (1644–1911) court. Porcelain for the Emperor charts the career...

Spatial Dunhuang

Experiencing the Mogao Caves

By Wu Hung

Constructed over a millennium from the fourth to fourteenth centuries CE near Dunhuang, an ancient border town along the Silk Road in northwest China, the Mogao Caves comprise the largest, most continuously created, and best-preserved...

Eternal Offerings

Ancient Chinese Bronzes from the Minneapolis Institute of Art

By Liu Yang, Robert Bagley, Li Xueqin, Jenny F. So, Zhu Fenghan

The collection of ancient Chinese bronzes at the Minneapolis Institute of Art is exceptional in its depth and rarity. It is generally considered to be one of the most important in the United States. The...

Lahore Cinema

Between Realism and Fable

By Iftikhar Dadi

Commercial cinema has been among the most powerful vectors of social and aesthetic modernization in South Asia. So argues Iftikhar Dadi in his provocative examination of cinema produced between 1956 and 1969—the long sixties—in Lahore,...

The Many Lives of the First Emperor of China

By Anthony J. Barbieri-Low

Ying Zheng, founder of the Qin empire, is recognized as a pivotal figure in world history, alongside other notable conquerors such as Alexander the Great, Genghis Khan, and Julius Caesar. His accomplishments include conquest of...

Temples in the Cliffside

Buddhist Art in Sichuan

By Sonya S. Lee

At sixty-two meters the Leshan Buddha in southwest China is the world’s tallest premodern statue. Carved out of a riverside cliff in the eighth century, it has evolved from a religious center to a UNESCO...

Carving Status at Kŭmgangsan

Elite Graffiti in Premodern Korea

By Maya K. H. Stiller

North Korea’s Kŭmgangsan is one of Asia’s most celebrated sacred mountain ranges, comparable in fame to Mount Tai in China and Mount Fuji in Japan. Carving Status at Kŭmgangsan marks a paradigm shift in the...

The City in Time

Contemporary Art and Urban Form in Vietnam and Cambodia

By Pamela N. Corey

In The City in Time, Pamela N. Corey provides new ways of understanding contemporary artistic practices in a region that continues to linger in international perceptions as perpetually “postwar.” Focusing on art from the last...

Artisans in Early Imperial China

By Anthony J. Barbieri-Low

Early China is best known for the dazzling material artifacts it has left behind. These terracotta figures, gilt-bronze lamps, and other material remnants of the Chinese past unearthed by archaeological excavations are often viewed without...

Tradition and Triumph

Japanese Women Artists from the John Fong and Colin Johnstone Collection

By Andrew L. Maske. with a contribution by Patricia Fister

In pre-1900 Japan few women were encouraged to become professional artists and pursue art seriously. In some situations, male family members who recognized and supported the artistic talent of a female relative could arrange for...

Opening Kailasanatha

The Temple in Kanchipuram Revealed in Time and Space

By Padma Kaimal

Stone figures hardened by ascetic discipline and heroic effort face north in deep shadow. There they meet the gazes of the same gods and goddesses but with gentler bodies enacting grace, warmth, seduction, and marriage,...

The Social Life of Inkstones

Artisans and Scholars in Early Qing China

By Dorothy Ko

An inkstone, a piece of polished stone no bigger than an outstretched hand, is an instrument for grinding ink, an object of art, a token of exchange between friends or sovereign states, and a surface...

Making Kantha, Making Home

Women at Work in Colonial Bengal

By Pika Ghosh

In Bengal, mothers swaddle their infants and cover their beds in colorful textiles that are passed down through generations. They create these kantha from layers of soft, recycled fabric strengthened with running stitches and use...

What the Emperor Built

Architecture and Empire in the Early Ming

By Aurelia Campbell

One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor...

A Fashionable Century

Textile Artistry and Commerce in the Late Qing

By Rachel Silberstein

Clothing and accessories from nineteenth-century China reveal much about women’s participation in the commercialization of textile handicrafts and the flourishing of urban popular culture. Focusing on women’s work and fashion, A Fashionable Century presents an...

Citizens of Beauty

Drawing Democratic Dreams in Republican China

By Louise Edwards

In the early twentieth century China’s most famous commercial artists promoted new cultural and civic values through sketches of idealized modern women in journals, newspapers, and compendia called One Hundred Illustrated Beauties. This genre drew...

Yumeji Modern

Designing the Everyday in Twentieth-Century Japan

By Nozomi Naoi

The hugely popular Japanese artist Takehisa Yumeji (1884–1934) is an emblematic figure of Japan’s rapidly changing cultural milieu in the early twentieth century. His graphic works include leftist and antiwar illustrations in socialist bulletins, wrenching...