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Shifting Grounds

Landscape in Contemporary Native American Art

By Kate Morris

A distinctly Indigenous form of landscape representation is emerging among contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers—and settlers—into...

What the Emperor Built

Architecture and Empire in the Early Ming

By Aurelia Campbell

One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor...

A Fashionable Century

Textile Artistry and Commerce in the Late Qing

By Rachel Silberstein

Clothing and accessories from nineteenth-century China reveal much about women’s participation in the commercialization of textile handicrafts and the flourishing of urban popular culture. Focusing on women’s work and fashion, A Fashionable Century presents an...

Yumeji Modern

Designing the Everyday in Twentieth-Century Japan

By Nozomi Naoi

The hugely popular Japanese artist Takehisa Yumeji (1884–1934) is an emblematic figure of Japan’s rapidly changing cultural milieu in the early twentieth century. His graphic works include leftist and antiwar illustrations in socialist bulletins, wrenching...

Proud Raven, Panting Wolf

Carving Alaska's New Deal Totem Parks

By Emily L. Moore

Among Southeast Alaska’s best-known tourist attractions are its totem parks, showcases for monumental wood sculptures by Tlingit and Haida artists. Although the art form is centuries old, the parks date back only to the waning...

Where Dragon Veins Meet

The Kangxi Emperor and His Estate at Rehe

By Stephen H. Whiteman

In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court’s Inner Mongolian allies. The Mountain...

Eulogy for Burying a Crane and the Art of Chinese Calligraphy

By Lei Xue

Eulogy for Burying a Crane (Yi he ming) is perhaps the most eccentric piece in China’s calligraphic canon. Apparently marking the burial of a crane, the large inscription, datable to 514 CE, was once carved...

Empire of Style

Silk and Fashion in Tang China

By BuYun Chen

Tang dynasty (618–907) China hummed with cosmopolitan trends. Its capital at Chang’an was the most populous city in the world and was connected via the Silk Road with the critical markets and thriving cultures of...

Climate Change and the Art of Devotion

Geoaesthetics in the Land of Krishna, 1550-1850

By Sugata Ray

In the enchanted world of Braj, the primary pilgrimage center in north India for worshippers of Krishna, each stone, river, and tree is considered sacred. In Climate Change and the Art of Devotion, Sugata Ray...

Mountain Temples and Temple Mountains

Architecture, Religion, and Nature in the Central Himalayas

By Nachiket Chanchani

From approximately the third century BCE through the thirteenth century CE, the remote mountainous landscape around the glacial sources of the Ganga (Ganges) River in the Central Himalayas in northern India was transformed into a...

Creating the Universe

Depictions of the Cosmos in Himalayan Buddhism

By Eric Huntington

Winner, 2018 Edward Cameron Dimock, Jr. Prize in the Indian Humanities

Buddhist representations of the cosmos across nearly two thousand years of history in Tibet, Nepal, and India show that cosmology is a rich language for...

Flowering Plums and Curio Cabinets

The Culture of Objects in Late Chosŏn Korean Art

By Sunglim Kim

The social and economic rise of the chungin class (“middle people” who ranked between the yangban aristocracy and commoners) during the late Chosŏn period (1700–1910) ushered in a world of materialism and commodification of painting...

The Art of Resistance

Painting by Candlelight in Mao’s China

By Shelley Drake Hawks

The Art of Resistance surveys the lives of seven painters—Ding Cong (1916–2009), Feng Zikai (1898–1975), Li Keran (1907–89), Li Kuchan (1898–1983), Huang Yongyu (b. 1924), Pan Tianshou (1897–1971), and Shi Lu (1919–82)—during China’s Cultural Revolution...

Excavating the Afterlife

The Archaeology of Early Chinese Religion

By Guolong Lai

In Excavating the Afterlife, Guolong Lai explores the dialectical relationship between sociopolitical change and mortuary religion from an archaeological perspective. By examining burial structure, grave goods, and religious documents unearthed from groups of well-preserved tombs...

Imperial Illusions

Crossing Pictorial Boundaries in the Qing Palaces

By Kristina Kleutghen

In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a...

Building a Sacred Mountain

The Buddhist Architecture of China's Mount Wutai

By Wei-Cheng Lin

By the tenth century CE, Mount Wutai had become a major pilgrimage site within the emerging culture of a distinctively Chinese Buddhism. Famous as the abode of the bodhisattva Mañjuśrī (known for his habit of...

Chang'an Avenue and the Modernization of Chinese Architecture

By Shuishan Yu

In this interdisciplinary narrative, the never-ending "completion" of China's most important street offers a broad view of the relationship between art and ideology in modern China. Chang'an Avenue, named after China's ancient capital (whose name...