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Skidegate House Models

From Haida Gwaii to the Chicago World's Fair and Beyond

By Robin K. Wright

In 1892 seventeen Haida artists were commissioned to carve a model of HlGaagilda Llnagaay (the village of Skidegate on Haida Gwaii, British Columbia) for the 1893 World’s Fair in Chicago. The Skidegate model, featuring twenty-nine...

The Art of Ceremony

Voices of Renewal from Indigenous Oregon

By Rebecca J. Dobkins

The practice of ceremony offers ways to build relationships between the land and its beings, reflecting change while drawing upon deep relationships going back millennia. Ceremony may involve intricate and spectacular regalia but may also...

Iljuwas Bill Reid

Life & Work

By Gerald McMaster

Few twentieth-century artists were catalysts for the reclamation of a culture, but Iljuwas Bill Reid (1920–1998) was among them. The first book on Reid by an Indigenous scholar details his incredible journey to becoming one...

Unsettling Native Art Histories on the Northwest Coast

By Kathryn Bunn-Marcuse, Aldona Jonaitis

Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of...

Adivasi Art and Activism

Curation in a Nationalist Age

By Alice Tilche

As India consolidates an aggressive model of economic development, indigenous tribal people known as adivasis continue to be overrepresented among the country’s poor. Adivasis make up more than eight hundred communities in India, with a...

Painful Beauty

Tlingit Women, Beadwork, and the Art of Resilience

By Megan A. Smetzer

For over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. Painful Beauty suggests that at a time when Indigenous cultural practices were actively...

Each/Other

Marie Watt and Cannupa Hanska Luger

By John P. Lukavic. with contributions by Jami Powell and Namita Gupta Wiggers

Each/Other includes major pieces in diverse media by artists Marie Watt (Seneca and German-Scots) and Cannupa Hanska Luger (Mandan, Hidatsa, Arikara, Lakota, and European) and their collaborators. The collection explores their engagement with community, materials,...

Art of the Northwest Coast

By Aldona Jonaitis

Originally published in 2006, Art of the Northwest Coast offers an expansive history of this great tradition, from the earliest known works to those made at the beginning of the twenty-first century. Although non-Natives often...

Faces from the Interior

The North American Portraits of Karl Bodmer

By Toby Jurovics, Scott Manning Stevens, Lisa Strong, Kristine K. Ronan, and Annika K. Johnson

In the early nineteenth century, Prince Maximilian of Wied traveled the Missouri River to uncover what he called “the natural face of North America”—its landscapes, flora and fauna, and Native inhabitants. Among his small party...

Shifting Grounds

Landscape in Contemporary Native American Art

By Kate Morris

A distinctly Indigenous form of landscape representation is emerging among contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers—and settlers—into...

Totem Pole Carving

Norman Tait, Bringing a Log to Life

By Vickie Jensen

In 1985, photographer and writer Vickie Jensen spent three months with Nisga’a artist Norman Tait and his crew of young carvers as they transformed a raw cedar log into a forty-two-foot totem pole for the...

Form and Relation

Contemporary Native Ceramics

By Jami C. Powell, Anya Montiel, Sequoia Miller, Courtney Leonard, and Morgan E. Freeman

Form and Relation showcases the versatility of ceramics and its many forms through the work of seven contemporary Indigenous artists from across what is now the United States. Bringing together recent acquisitions, commissioned works, and...

Proud Raven, Panting Wolf

Carving Alaska's New Deal Totem Parks

By Emily L. Moore

Among Southeast Alaska’s best-known tourist attractions are its totem parks, showcases for monumental wood sculptures by Tlingit and Haida artists. Although the art form is centuries old, the parks date back only to the waning...

Continuum

Native North American Art at the Nelson-Atkins Museum of Art

By Gaylord Torrence, W. Richard West Jr., Stephanie Fox Knappe

This landmark publication brings North American Indigenous art to the fore with the presentation of 280 objects from the culturally and aesthetically rich collection of the Nelson-Atkins Museum of Art. More than two-thirds of the...

Preston Singletary

Raven and the Box of Daylight

By Miranda Belarde-Lewis and John Drury

The story Raven and the Box of Daylight, which tells how Raven transformed the world and brought light to the people by releasing the stars, moon, and sun, holds great significance to the Tlingit people...

Hearts of Our People

Native Women Artists

By Jill Ahlberg Yohe, Teri Greeves

Hearts of Our People: Native Women Artists explores the artistic achievements of Native women and establishes their rightful place in the art world. This landmark book includes works of art from antiquity to the present,...

Becoming Mary Sully

Toward an American Indian Abstract

By Philip J. Deloria

Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America’s first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill)....

Understanding Northwest Coast Indigenous Jewelry

The Art, the Artists, the History

By Alexander Dawkins. Foreword by Corrine Hunt

Indigenous hand-engraved jewelry from the Pacific Northwest Coastis among the most distinctive, innovative, and highly sought-after art being produced in North America today. But these artworks are more than just stunning—every bracelet, ring, and pendant...

Sonny Assu

A Selective History

By Sonny Assu. With Candice Hopkins, Marianne Nicolson, Richard Van Camp, and Ellyn Walker

Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. This stunning retrospective spans over a decade of Assu’s career, highlighting more than 120 full-color...

Before Yellowstone

Native American Archaeology in the National Park

By Douglas H. MacDonald

Since 1872, visitors have flocked to Yellowstone National Park to gaze in awe at its dramatic geysers, stunning mountains, and impressive wildlife. Yet more than a century of archaeological research shows that the wild landscape...